Archive for the 'Uncategorized' category

Too fast, too furious.

Feb 05 2010 Published by brian under Uncategorized, personal

So I had to get a typing certificate for a job I’m applying for. I don’t want to brag–well, okay, maybe just a little–but every time I’ve taken a typing test, my speed has gone steadily upwards.

Twenty years ago I struggled to do 30 words per minute, which is the minimum for most office jobs (including the one I’m applying for). In recent years I’ve been in the 70′s.

So how did I do today, you ask? 84 wpm, with no mistakes.

I guess there’s some benefit to spending hours every day at the computer, after all.

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Watch out for worlds behind you

Feb 02 2010 Published by brian under Uncategorized

So, a couple of days ago we finally got around to seeing Avatar for a second time, after digesting it for a few weeks. Found it every bit as impressive as the first time. And that was the day that it reached $2 billion in worldwide gross. And now we learn that it’s received nine Oscar nominations, including Best Picture, where it will be competing with several other of my favorite movies this year–The Hurt Locker, District 9, and Up. (If you want a prediction, I’m guessing Avatar for best picture and Hurt Locker‘s Kathryn Bigelow for best director.)

So, what could I possibly contribute to the massive global swooning over James Cameron’s latest juggernaut? Well, one thing that occurred to both me and my spouse is that Avatar may well be the first science fiction film with a richness and complexity of worldbuilding that equals the best science fiction novels. I see nothing in the second viewing to contradict this. The physics, biology, and anthropology of Pandora are worked out to a degree that one seldom sees outside of, say, Sheri Tepper or Frank Herbert. Cameron spent a good fifteen years thinking about this world, and it’s all there on the screen.

But it wouldn’t have been up there if the filmmaking technology weren’t also up to the task. Cameron wisely delayed making Avatar until it became technically possible to show exactly what he had in his head. As a result, the film has enough detail to flesh out the world without overwhelming the viewer. Such little things as the light shining pink through the Na’vi’s ears, or the bioluminescence under their feet. The first commandment of worldbuilding is “show, don’t tell”, and Avatar shows us plenty.

Now, of course, this was only possible because Cameron had essentially unlimited resources to throw at the problem. But think you on this: what he can do today with $300 million, a major movie studio, and several high-tech companies’ R&D departments on his side, your average pimply teenager will be able to do on a desktop in a decade. Meaning that we’re going to have far, far freakier science-fictional visions to deal with in the near future.

Not that all of them, or even many of them, will be anywhere near as intelligently thought-out and executed. But some will. And those films to come will show us things that we could never have seen before outside of our own imaginations.

Anyway, yes, I loved Avatar. But I’m even more excited about what will come after. Cameron wanted to reinvent the movies, and damned if he didn’t pull it off.

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Running down a dream

Sep 23 2009 Published by brian under Uncategorized

Haven’t posted lately, because I’ve been devoting most of my intellectual energy to writing (with the occasional nod to job-hunting, of course). I’ve finished two stories in the last week, and I have ideas for quite a few more. It feels really good to get some stuff finished.

Both stories are built on things I started (but didn’t finish) in 2006, during my last big spasm of SF writing. The first, “Upon A Distant Shore”, is a fairly long story–a novelette, really–about a lost population of genetically-modified humans being investigated by a ship from a research institution that just found out about their existence.

(The research institution, called simply the Library, will probably figure in future stories; I have a fairly elaborate social structure built up for them. The crucial detail is that this is a universe in which Einstein was right, and faster-than-light travel is impossible, and so they have to come up with rather unique solutions to get the cultural continuity that such an institution would need.)

The other, “Refugee”, is a short-short involving the appearance of mysterious new abilities in ordinary people. I’ve sent it in to Flash Fiction Online; we’ll see what they think of it. “Shore” is awaiting a reading from my first and most trusted reviewer (my spouse); once that happens it’ll be off, probably to Fantasy and Science Fiction.

So, the lifelong dream of publication edges closer. I’ve wanted for some 25 years to publish science fiction; it just might happen in the not-too-distant future.

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Keeping up with the Joneses

Jul 03 2009 Published by brian under Uncategorized, culture, technology, web 2.0

I know I wrote about Web ethnographer danah boyd not long ago, but she came out with another talk a few days ago that’s too good to pass up. “The Not-So-Hidden Politics of Class Online” is about the role that class identification plays in social networking; in particular, how race, economic status, and education influence the choices that teenagers make in creating their social spaces online.

One very interesting point she makes is that the social division between MySpace and Facebook, and the movement from the former to the latter, mirrors that between the working and educated classes, particularly where unconscious awareness of class was involved:

What happened was modern day “white flight.” Whites were more likely to leave or choose Facebook. The educated were more likely to leave or choose Facebook. Those from wealthier backgrounds were more likely to leave or choose Facebook. Those from the suburbs were more likely to leave or choose Facebook. Those who deserted MySpace did so by “choice” but their decision to do so was wrapped up in their connections to others, in their belief that a more peaceful, quiet, less-public space would be more idyllic.

And, also, that those in the upper class (Facebook) show a familiar condescension toward those in the lower class (MySpace), as well as a distrust of their taste and values:

The fact that digital migration is revealing the same social patterns as urban white flight should send warning signals to everyone out there. And if we think back to the language used by teens who use Facebook when talking about MySpace, we should be truly alarmed. Those who are from privileged backgrounds tend to be far more condescending towards those who are not than vice versa. Many of us in this room come from privileged worlds where we want to “help” those who are not well-off. Here is where a privilege-check is necessary. How often do our language and mannerisms reflect a problematic level of condescension? Perhaps we should look at our teens. They are certainly speaking in a manner that reveals distrust and condescension.

“Class” is a forbidden topic in the United States, so much so that most of us–at least, those of us not at the very top–are barely aware of its existence. But despite our deplorable lack of class consciousness, the classes themselves are very real, and social technologies have only enhanced our ability to wall ourselves off in our own communities. boyd uses the excellent term “homophily” to describe our instinctive drive to stick to those like ourselves. How many of us really know anyone outside of our own class? Or would have anything to say to them if we did?

I do wonder, however, what kind of role social aspiration and upward mobility might play. Do those who have migrated from MySpace to Facebook see it as a place where they can be around a better class of people?

Anyway, I think that those who are interested in creating social spaces online would be wise to take these social attitudes into account. You might think that your cool new technological playground is the perfect place for people of all kinds to work and play together–but your intended audience may not see it that way. We should always look at the assumptions of the people we’re aiming our work at–and our own assumptions most of all.

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